The task of calling things by their true names, of telling the truth to the best of our abilities, of knowing how we got here, of listening particularly to those who have been silenced in the past, of seeing how the myriad stories fit together and break apart, of using any privilege we may have been handed to undo privilege or expand its scope is each of our tasks. It’s how we make the world.
Rebecca Solnit
Story: DANNA DAVIS
Danna Davis served for 10 years in the US armed forces as Quick Reactionary Force, a Drill Sergeant, a Staff Sergeant and a Squad Leader. While stationed in Germany she helped tear down the Berlin Wall. Her multiple deployments included helping Rwanda after the genocide: she was awarded many medals, including the purple heart.
Writer & Performer: MARY JANE WELLS
Mary Jane trained as an actress at the Royal Scottish Academy of Music and Drama in 1998, and began the regular back and forth to LA in 2009. Before leaving the UK, she was in Jo Clifford's radical adaptation of Faust, parts One and Two at the Royal Lyceum, Edinburgh, (nominated for twelve awards), and the Irish lead in Cuchulainn, Hound of Ulster with Cahoots Northern Ireland, performing at the Smithsonian, in Washington DC. She performed Cyprus after its West End transfer to Trafalgar Studios, and then departed for sunnier shores for a residency with Honolulu theatre in Hawai'i for a year to play Aerial in The Little Mermaid. She returned to the UK for BBC drama - Half Moon Investigates, where she played series regular, the hapless Miss Heeley.
She decided to make a home in LA after performing a solo show for a year and two Broadway tours of the Red Balloon and Martha across the United States and Canada. Both shows enjoyed successful runs at the New Victory theatre in New York, the Mark Taper Forum and the Kennedy Centre. She won the Victor Audience Award for Best Play for Martha from the Annenberg Centre. On arrival in LA she won an LA Comedy Award for Divine White’s Introduction to Hollywood, and festival awards with indie film hits Elena Undone, Crazy Bitches and A Perfect Ending, which launched at Outfest in LA, the BFI in London and at Frameline, San Francisco. She sings in How to Train Your Dragon 2 - for the Dancing and the Dreaming which hit the Oscar eligible list, and played Josie Marks in HBO's The Newsroom. She is more recently a lead in Gin and It (ginandit.tv), stars in sci-fi neo noir feature The Tangle with Nicole da Silva and works consistently as a narrator for Harper Collins, and a voice actor for Starz and Dreamworks.
Mary Jane has another solo show - a Co-adaptation of Virginia Ironside's The Huge Bag of Worries which has run consistently since 2002, with sponsorship from BBC's Children in Need and also the British Council. Her play for trapeze Hester and Jude was shortlisted by the Almeida Theatre, London and is now being adapted for screen. Her monologue from I Confess is also published with Fairplay press, after she was sponsored by the Jerwood Space and The Arts Council, London as lead artist on I Confess, a show for London. She also worked as story coach on Sundance Select 2016 Documentary Holy Hell, a producer on a new doc TNT series starring Cathy De Buono, and a consulting producer on My Dad, Stephanie, a short.
www.maryjanewells.org
She decided to make a home in LA after performing a solo show for a year and two Broadway tours of the Red Balloon and Martha across the United States and Canada. Both shows enjoyed successful runs at the New Victory theatre in New York, the Mark Taper Forum and the Kennedy Centre. She won the Victor Audience Award for Best Play for Martha from the Annenberg Centre. On arrival in LA she won an LA Comedy Award for Divine White’s Introduction to Hollywood, and festival awards with indie film hits Elena Undone, Crazy Bitches and A Perfect Ending, which launched at Outfest in LA, the BFI in London and at Frameline, San Francisco. She sings in How to Train Your Dragon 2 - for the Dancing and the Dreaming which hit the Oscar eligible list, and played Josie Marks in HBO's The Newsroom. She is more recently a lead in Gin and It (ginandit.tv), stars in sci-fi neo noir feature The Tangle with Nicole da Silva and works consistently as a narrator for Harper Collins, and a voice actor for Starz and Dreamworks.
Mary Jane has another solo show - a Co-adaptation of Virginia Ironside's The Huge Bag of Worries which has run consistently since 2002, with sponsorship from BBC's Children in Need and also the British Council. Her play for trapeze Hester and Jude was shortlisted by the Almeida Theatre, London and is now being adapted for screen. Her monologue from I Confess is also published with Fairplay press, after she was sponsored by the Jerwood Space and The Arts Council, London as lead artist on I Confess, a show for London. She also worked as story coach on Sundance Select 2016 Documentary Holy Hell, a producer on a new doc TNT series starring Cathy De Buono, and a consulting producer on My Dad, Stephanie, a short.
www.maryjanewells.org
Director : SUSAN WORSFOLD
Susan Worsfold is an award winning theatre director specialising in the Nadine George Voice Work for which she is one of only 14 accredited teachers worldwide. She has worked with the National Theatre of Scotland and been supported by Creative Scotland, Made in Scotland, British Council Brazil and British Council Scotland.
She was the inaugural Director of The Attic Collective, establishing an ensemble theatre company resident at the Edinburgh Festival Theatre and Kings Theatre, working with emerging artists aged 18-26. Susan is co-company director of Queen Jesus Plays, working with Jo Clifford to direct the internationally acclaimed The Gospel According to Jesus, Queen of Heaven, which toured to Brazil in 2016, won a Made in Scotland and Scottish Arts Award and continues to tour to South America, UK, Europe and the USA.
She is Creative Development Director of the Nadine George Voice Centre and is Associate Teacher to the Centre for Voice at the Royal Conservatoire of Scotland, from which she graduated with a BA Hons in Directing in 1998.
In 2017 she directed Eve by Jo Clifford & Chris Goode for The National Theatre of Scotland performing at the Traverse theatre, Edinburgh and Citizens Theatre, Glasgow, The Last Post (St Magnus International Festival commission, Made in Scotland 2017 Award performing within the Summerhall programme) Lysistrata, Threepenny Opera (Kings Theatre, Edinburgh), War in America (Old Royal High School, World Premiere) for The Attic Collective, The Gospel According to Jesus, Queen of Heaven (UK Tour), Heroine by Mary Jane Wells (Edinburgh Festival Theatre), and Cleopatra, at Sesc Palladium, Belo Horizonte, Brazil.
In 2018, she will continue to direct The Gospel According to Jesus, Queen of Heaven in England, Scotland, Norway and Cape Verde, tour EVE for the National Theatre of Scotland both nationally and internationally and take The Last Post to English music and heritage venues. Heroine marks Susan’s third production to receive the Made in Scotland Award, performing at Assembly Rooms 2018 and touring thereafter. Her Brazilian production of Cleopatra will come to the UK to find a Scottish Antony. She will deliver voice workshops in Scotland, France and Brazil.
www.susanworsfold.co.uk
Susan Worsfold is an award winning theatre director specialising in the Nadine George Voice Work for which she is one of only 14 accredited teachers worldwide. She has worked with the National Theatre of Scotland and been supported by Creative Scotland, Made in Scotland, British Council Brazil and British Council Scotland.
She was the inaugural Director of The Attic Collective, establishing an ensemble theatre company resident at the Edinburgh Festival Theatre and Kings Theatre, working with emerging artists aged 18-26. Susan is co-company director of Queen Jesus Plays, working with Jo Clifford to direct the internationally acclaimed The Gospel According to Jesus, Queen of Heaven, which toured to Brazil in 2016, won a Made in Scotland and Scottish Arts Award and continues to tour to South America, UK, Europe and the USA.
She is Creative Development Director of the Nadine George Voice Centre and is Associate Teacher to the Centre for Voice at the Royal Conservatoire of Scotland, from which she graduated with a BA Hons in Directing in 1998.
In 2017 she directed Eve by Jo Clifford & Chris Goode for The National Theatre of Scotland performing at the Traverse theatre, Edinburgh and Citizens Theatre, Glasgow, The Last Post (St Magnus International Festival commission, Made in Scotland 2017 Award performing within the Summerhall programme) Lysistrata, Threepenny Opera (Kings Theatre, Edinburgh), War in America (Old Royal High School, World Premiere) for The Attic Collective, The Gospel According to Jesus, Queen of Heaven (UK Tour), Heroine by Mary Jane Wells (Edinburgh Festival Theatre), and Cleopatra, at Sesc Palladium, Belo Horizonte, Brazil.
In 2018, she will continue to direct The Gospel According to Jesus, Queen of Heaven in England, Scotland, Norway and Cape Verde, tour EVE for the National Theatre of Scotland both nationally and internationally and take The Last Post to English music and heritage venues. Heroine marks Susan’s third production to receive the Made in Scotland Award, performing at Assembly Rooms 2018 and touring thereafter. Her Brazilian production of Cleopatra will come to the UK to find a Scottish Antony. She will deliver voice workshops in Scotland, France and Brazil.
www.susanworsfold.co.uk
PRODUCER: Sarah Gray
Sarah has worked as a Producer in varying capacities since 2005. She was co-producer of the Young Company in the inaugural year of the National Theatre of Scotland in 2006, going on to become Assistant Producer within the main organisation. This involved working on a number of main stage shows and touring with the first Scottish tour of Black Watch in 2007. Sarah was producer of Wee Stories Theatre from 2008-12, working on all scales of productions from small rural tours to middle and large scale tours of acclaimed productions including Arthur, the Story of a King; Treasure Island and
The Emperor's New Kilt (NTS co-production).
From 2012, Sarah was Programme and Projects Producer at Macrobert Arts Centre in Stirling. A member of the Senior Management team, Sarah was responsible for the co-ordination of the live programming across three venue spaces and the delivery of all Macrobert produced and co-produced shows, including Educating Ronnie (Utter/Macrobert co-production); Titus; The Polar Bears Go WIld (Macrobert/Fish & Game co-production).
From 2014-16, she was attached to Cumbernauld Theatre as part of Creative Scotland’s Producer’s Project, mentoring an emerging Producer, Cat Tyre; undertaking a number of new productions and tours, and focusing on international touring to Brazil; China; Australia; Singapore and Canada.
Scottish Theatre Producers was borne out of this project, and Sarah continues to represent a number of artists and companies in a freelance capacity, whilst also instigating new productions and co-productions under the name Scottish Theatre Producers.
www.scottishtheatreproducers.com/about
The Emperor's New Kilt (NTS co-production).
From 2012, Sarah was Programme and Projects Producer at Macrobert Arts Centre in Stirling. A member of the Senior Management team, Sarah was responsible for the co-ordination of the live programming across three venue spaces and the delivery of all Macrobert produced and co-produced shows, including Educating Ronnie (Utter/Macrobert co-production); Titus; The Polar Bears Go WIld (Macrobert/Fish & Game co-production).
From 2014-16, she was attached to Cumbernauld Theatre as part of Creative Scotland’s Producer’s Project, mentoring an emerging Producer, Cat Tyre; undertaking a number of new productions and tours, and focusing on international touring to Brazil; China; Australia; Singapore and Canada.
Scottish Theatre Producers was borne out of this project, and Sarah continues to represent a number of artists and companies in a freelance capacity, whilst also instigating new productions and co-productions under the name Scottish Theatre Producers.
www.scottishtheatreproducers.com/about
Sound Designer for Stage show: MATT PADDEN
Matt was the National Theatre of Scotland's Head of Sound between 2008 and 2017. His designs for that company include Eve, How To Act, Last Tango in Partick, Last Dream (On Earth) (presented by Kai Fischer), The Tin Forest, A Christmas Carol, Long Gone Lonesome, Wall of Death - A Way of Life and, as Technical Sound Designer, Enquirer. Other sound designs include The Hidden (Visible Fictions), What Put The Blood (Abbey Theatre Dublin), Cockpit (Royal Lyceum Theatre Edinburgh), Heroine (MJW Productions), Expensive Sh*t (Scottish Theatre Producers), Shrapnel (Theatre Gu Leòr), Andromaque (Òran Mór), Entartet (Kai Fischer), Subway (Vanishing Point) and Woyzeck (Corcadorca Theatre Company).
www.mattpadden.com
www.mattpadden.com
Lighting Designer: GEORGE TARBUCK
George Tarbuck trained in technical theatre at the E15 Acting School. His career in the performing arts has included Theatre, Opera, Dance, Circus, Music, Corporate and Rock. He is an award winning lighting designer working nationally and internationally. Projects have included the International Opera collaboration St Kilda, the G8 Summit in Gleneagles and Our Europe festival in Dresden. He has also worked as Stage Manager, Set Designer, Sound Designer, Production Manager, Pyrotechnician and piano player with the punk band CRASS. He has lit more than two hundred shows from Perth Australia to Perth Scotland via Nairobi. He is the founder and director of the Edinburgh Lighting and Sound School.
www.edinburghlightingandsoundschool.co.uk and the Edinburgh Stage Management School www.edinburghstagemanagementschool.co.uk
www.edinburghlightingandsoundschool.co.uk and the Edinburgh Stage Management School www.edinburghstagemanagementschool.co.uk
Production Manager: JOHN WILKIE
"A mix between Captain Jack Sparrow and Hunter S Thompson"
Sound Designer for Audio Drama: HEATHER ANDREWS
Heather Andrews’ sound design practice originates from foley performance and found sound creation experience in radio drama and television programming. To Heather, foley is not only about sound effects but physicality - the flash of one character to another through one’s movements and how each enactment can embellish a piece to display emotion and intent. Field recording is equally a passion, where she will look to record sounds on location or tap into her field recording contacts across the world to gain the appropriate sounds if possible. Deep listening practice and tapping in to her surroundings allows her to create a palate of sounds to distinguish time and place.
Heather is also an advocate of supporting works that explore themes and stories that are rarely explored and providing support to community organisations through training and mentorship. Evocative storytelling and enabling all to tell their stories builds better communication, education and empathy in society and a deeper connection to our world. She performed all of the foley for Heroine wearing the original uniform we have for Danna, wearing boots from Operation Iraqi Freedom.
heather-andrews.co.uk
Heather Andrews’ sound design practice originates from foley performance and found sound creation experience in radio drama and television programming. To Heather, foley is not only about sound effects but physicality - the flash of one character to another through one’s movements and how each enactment can embellish a piece to display emotion and intent. Field recording is equally a passion, where she will look to record sounds on location or tap into her field recording contacts across the world to gain the appropriate sounds if possible. Deep listening practice and tapping in to her surroundings allows her to create a palate of sounds to distinguish time and place.
Heather is also an advocate of supporting works that explore themes and stories that are rarely explored and providing support to community organisations through training and mentorship. Evocative storytelling and enabling all to tell their stories builds better communication, education and empathy in society and a deeper connection to our world. She performed all of the foley for Heroine wearing the original uniform we have for Danna, wearing boots from Operation Iraqi Freedom.
heather-andrews.co.uk
Acting Coach: FALINE ENGLAND
Faline England has been a student of Diana Castle studying The Imagined Life since 2001. She has worked as an actress in film, television and theatre since 1997. Some of her on-camera credits include “Criminal Minds”, “The Mentalist”, “Nip/Tuck,” “Medium,” “C.S.I.,” “Without a Trace”, “The Least of These” (with Isaiah Washington), “Midnight Clear” (with Stephen Baldwin), and “Chasing October” – a film she also co-produced featuring Dennis Franz and Gary Sinise.
For her work in the theater she received a Los Angeles Stage Alliance Ovation Nomination for “Best Supporting Actress” for Treva the Rubicon Theatre’s production of Gulf View Drive as well as Ann in the Rubicon’s All My Sons. Gulf View Drive won the Ovation for “Best Play in a Large Theatre”. Her work as The Governess in the Rubicon’s staging of the two-person play The Turn of the Screw garnered her a third Ovation Nomination for “Best Play in a Large Theatre”.
Faline is also the recipient of five Santa Barbara Independent Theatre Awards for Viola in Twelfth Night, Roxie in Chicago, Angellica in The Rover, Meg in the Rubicon’s Crimes of the Heart, and for Flayjennnie Eroticus – a two-person show she also co-wrote, produced, and starred in. Faline is also a cast member of Carry The World: Women and Peace created and directed by Diana Castle, and a teacher at The Imagined Life. Faline has been coaching and collaborating closely with Mary Jane over her work with Danna.
www.FalineEngland.com
For her work in the theater she received a Los Angeles Stage Alliance Ovation Nomination for “Best Supporting Actress” for Treva the Rubicon Theatre’s production of Gulf View Drive as well as Ann in the Rubicon’s All My Sons. Gulf View Drive won the Ovation for “Best Play in a Large Theatre”. Her work as The Governess in the Rubicon’s staging of the two-person play The Turn of the Screw garnered her a third Ovation Nomination for “Best Play in a Large Theatre”.
Faline is also the recipient of five Santa Barbara Independent Theatre Awards for Viola in Twelfth Night, Roxie in Chicago, Angellica in The Rover, Meg in the Rubicon’s Crimes of the Heart, and for Flayjennnie Eroticus – a two-person show she also co-wrote, produced, and starred in. Faline is also a cast member of Carry The World: Women and Peace created and directed by Diana Castle, and a teacher at The Imagined Life. Faline has been coaching and collaborating closely with Mary Jane over her work with Danna.
www.FalineEngland.com
Movement Director: JAMI REID QUARRELL
Born in Paisley, Scotland, Jami trained in acting at the Actors Lab in Glasgow and with Tom Grail in New York before training in LeCoq and Marceau techniques with Blue Raincoat Theatre, Ireland followed by aerial training at The Circus Space, London ( now National Centre for Circus Arts) and Centre National des Artes du Cirque, France. He currently works as an actor, physical performer, choreographer and singer.
As a choreographer, he has recently movement-directed for the UK premiere of Mascagni’s ISABEAU at Opera Holland Park, TriOperas in London’s West End, and for Lewis Hamilton in a campaign for Epson printers. He is currently stunt co-ordinator on The Play That Goes Wrong and The Bank Robbery That Goes Wrong in London’s West End and the U.K. Tours. Previously he choreographed for Trevor Nunn’s production of The Tempest.
Jami will next be seen onstage reviving the role of Puck in Hanover State opera’s celebrated production of Britten’s Midsummer Night’s Dream. He is also developing works for screen with production company Sceletus.
www.jamirq.com
As a choreographer, he has recently movement-directed for the UK premiere of Mascagni’s ISABEAU at Opera Holland Park, TriOperas in London’s West End, and for Lewis Hamilton in a campaign for Epson printers. He is currently stunt co-ordinator on The Play That Goes Wrong and The Bank Robbery That Goes Wrong in London’s West End and the U.K. Tours. Previously he choreographed for Trevor Nunn’s production of The Tempest.
Jami will next be seen onstage reviving the role of Puck in Hanover State opera’s celebrated production of Britten’s Midsummer Night’s Dream. He is also developing works for screen with production company Sceletus.
www.jamirq.com
Set Designer for R and D period: PAUL BURGESS
Paul Burgess is a scenographer working across set, costume and audio-visual practices, sometimes crossing into installation and other visual art forms. He trained at Motley following a a degree in English at Oxford.
Since then he has designed numerous shows for venues including in the UK: The Arcola; The Albany; Hampstead; The Bush; Shakespeare’s Globe; Soho; Theatre 503; Hackney Empire; The Pleasance, London and Edinburgh; Southwark Playhouse; The Watermill, Newbury; The Royal Exchange, Manchester; Glasgow Citizens’; Queen Elizabeth Olympic Park; Colchester Mercury; and Birmingham Rep. Work abroad includes designs for: Teatro LATEA, New York; Here, New York; Pakistan National Council of Arts; The Black Box in Hanoi, and WUK in Vienna, as well as touring to Prithvi in Mumbai, Choice in Cochin, Epicentre in Delhi. UK touring projects including shows for Apples and Snakes, Touched Theatre and Shams Theatre.
As a director-designer, with a particular interest in the role design can play at the heart of the theatre-making process, he led devising three pieces for Daedalus Theatre Company, of which he is also artistic director: A Place at The Table (Camden People’s Theatre), Selfish (The Arches, Glasgow; Camden People’s Theatre), Out of Nothing (The Junction, Cambridge). He also led the creation of Rang (National College of Arts, Pakistan) and co-led projects in the UK and Siberia for Scale Project, including a residency in a nuclear bunker in Novosibirsk.
He has taught at National College of Arts, Pakistan, as well as various UK universities, including Goldsmiths, Queen Mary, St Marys', Kingston, Edgehill and Central School of Speech and Drama. He has worked extensively in youth arts, including five years with the Hertfordshire-based mixed ability arts group Youth CREATE.
As a producer he has run many projects for Daedalus and also worked as a freelance projects producer for Apples and Snakes, where his biggest project was SPOKE, an ambitious programme of spoken word performances, workshops and other events for East London as part of the London 2012 Olympic Legacy. He is also on the committee of The Society of British Theatre Designers.
He has also written and arranged music for theatre but his main musical focus is now The Black Smock Band, with which he plays the fiddle and, occasionally, the saw.
www.paul-burgess.co.uk
Since then he has designed numerous shows for venues including in the UK: The Arcola; The Albany; Hampstead; The Bush; Shakespeare’s Globe; Soho; Theatre 503; Hackney Empire; The Pleasance, London and Edinburgh; Southwark Playhouse; The Watermill, Newbury; The Royal Exchange, Manchester; Glasgow Citizens’; Queen Elizabeth Olympic Park; Colchester Mercury; and Birmingham Rep. Work abroad includes designs for: Teatro LATEA, New York; Here, New York; Pakistan National Council of Arts; The Black Box in Hanoi, and WUK in Vienna, as well as touring to Prithvi in Mumbai, Choice in Cochin, Epicentre in Delhi. UK touring projects including shows for Apples and Snakes, Touched Theatre and Shams Theatre.
As a director-designer, with a particular interest in the role design can play at the heart of the theatre-making process, he led devising three pieces for Daedalus Theatre Company, of which he is also artistic director: A Place at The Table (Camden People’s Theatre), Selfish (The Arches, Glasgow; Camden People’s Theatre), Out of Nothing (The Junction, Cambridge). He also led the creation of Rang (National College of Arts, Pakistan) and co-led projects in the UK and Siberia for Scale Project, including a residency in a nuclear bunker in Novosibirsk.
He has taught at National College of Arts, Pakistan, as well as various UK universities, including Goldsmiths, Queen Mary, St Marys', Kingston, Edgehill and Central School of Speech and Drama. He has worked extensively in youth arts, including five years with the Hertfordshire-based mixed ability arts group Youth CREATE.
As a producer he has run many projects for Daedalus and also worked as a freelance projects producer for Apples and Snakes, where his biggest project was SPOKE, an ambitious programme of spoken word performances, workshops and other events for East London as part of the London 2012 Olympic Legacy. He is also on the committee of The Society of British Theatre Designers.
He has also written and arranged music for theatre but his main musical focus is now The Black Smock Band, with which he plays the fiddle and, occasionally, the saw.
www.paul-burgess.co.uk
MILITARY CONSULTANT: Barbara Autin
Barbara Autin is a West Point graduate and former Army Engineer who served two tours in Iraq. During the first deployment, she served as a platoon leader whose missions included the construction of the first dirt airstrip built in combat since the Vietnam War, life support structures for a Combat Support Hospital, and road upgrades that were required due to the damage caused by IEDs.
Since leaving the military, she has worked on the television show “Ballers,” participated in the Lionsgate and Academy Gold internship programs, and is now working in development for Hero Media Group, LLC. Barbara is also the Director of Career Placement for Veterans in Media in Entertainment (VME). Through her work with Veterans in Media & Entertainment, Barbara has helped over 30 veterans get into highly competitive entertainment internship programs. She has developed relationships with 26 studios, working with them to bridge the gap between military service and entertainment industry jobs.
Digital Marketing Manager for R and D period: ALISON WINTER
Alison specialises in digital production and content management, and have delivered projects both in London and LA. A strong background in marketing and communications has given her the edge in developing an online vision and brand strategy for PR companies, film production companies and universities.
A veteran of two large-scale content migration projects, she has produced original digital content for websites with just 6 pages, to vast companies or institutions with more than 6,000 pages. Some have been for arts, entertainment and charity; others as part of a significant international marketing strategy, requiring strict adherence to brand and identity guidelines. Her time as an award winning independent film maker in Los Angeles has given her the ability to 'get it done'.
www.digital-empath.com
A veteran of two large-scale content migration projects, she has produced original digital content for websites with just 6 pages, to vast companies or institutions with more than 6,000 pages. Some have been for arts, entertainment and charity; others as part of a significant international marketing strategy, requiring strict adherence to brand and identity guidelines. Her time as an award winning independent film maker in Los Angeles has given her the ability to 'get it done'.
www.digital-empath.com
Dramaturg: NICOLA MCCARTNEY
Nicola recently won the Olwen Wymark Award for mentoring Mary Jane through the initial showing of Heroine at Edinburgh Festival theatre, presented by the Writers Guild and the Royal Court in January 2018. Her vast experience speaks for itself..
http://www.unitedagents.co.uk/nicola-mccartney
http://www.ed.ac.uk/profile/nicola-mccartney
http://www.unitedagents.co.uk/nicola-mccartney
http://www.ed.ac.uk/profile/nicola-mccartney
